The Italian Job Opening Music

Friday, 11 June 2021

Quincy Jones Soundtrack · 1969 On Days Like These (feat. Matt Monro) 1 3:40 Something's Cookin' 2 2:29 Hello Mrs. Beckerman! 3 1:01 Britannia and Mr. Bridger / If You Please 4 1:59 Trouble for Charlie 5 1:46 On Days Like These (feat. Peter King) 6 3:09 It's Caper Time (The Self Preservation Society) 7 3:13 Meanwhile, Back In the Mafia 8 1:22 Smell That Gold! 9 1:31 Greensleeves and All That Jazz 10 2:06 On Days Like These 11 1:14 Getta Bloomin' Move On! (The Self Preservation Society) 12 3:55 12 SONGS, 27 MINUTES RELEASED JANUARY 1, 1969 ℗ 1969 GEFFEN RECORDS

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Italian job opening song

Quincy Jones composed the music; Don Black (at that time or later, Munro's manager) wrote the words. George Martin produced Monro's recording. The music is I think something that Gabriel Fauré might have thought twice about, before tossing out the manuscript paper it was written on—especially Jones' stepwise chromaticism on the phrase "while your eyes played games with mine. " ( Chromaticism, by the way, is simply a convenient technical term for employing notes not usually found in a piece or section's home-key scale, in order to add more tonal color and interest. ) Long before there was a loosely-based sequel, The Italian Job remained famous for its profligate waste of stunt cars—cars that later on would be recognized as irreplaceable. However, viewing The Italian Job from a 21 st -century perspective, there are so many jarring or cringe-inducing moments that one is tempted to say (just as is the case with the film Breakfast at Tiffany's) that the soundtrack was the best thing. # # # Post navigation

The italian job opening music box

Mondays spotlight new and recent recordings of special merit. Some older recordings make you ask, "How much have we really learned in 50 or 60 years? " Common-sense stereo-system advice from a record producer/engineer. YouTube can be a powerful force for increasing your cultural literacy in music. Post navigation Matt Monro 's opening-credit song from the 1969 Michael Caine caper movie The Italian Job is a fine job of singing from a pop-music baritone who is almost unknown in the US, but whose recordings can withstand comparison with any of the Broadway-musical baritones of the older generation. Monro (birth name Terence Edward Parsons) to my knowledge never sang on Broadway, but he regularly made hay during the 1960s in movie soundtracks—not only The Italian Job but also the James Bond series' From Russia With Love (1963), and the title song from Born Free (1966). The opening-credit song from The Italian Job (" On Days Like These ") is surprisingly sophisticated from a musical standpoint, given that the movie is about car chases, car crashes, and various forms of sexual innuendo and other low humor.

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